Ascott
has shown at the Venice Biennale, Electra Paris, Ars Electronica
Linz, V2 Holland, Milan Triennale, Biennale do Mercosul, Brazil,
European Media Festival, and has initiated many online projects,
including the seminal La Plissure du Texte (1983). His research
is in art and the technology of consciousness. He is the founding
editor of Technoetic Arts: a journal of speculative research (Intellect
Books, UK), and he serves on the editorial boards of Leonardo.
LEA, Convergence, and Digital Creativity. He has advised new media
centers and festivals in many parts of Europe, Australia, Brazil,
Canada, China, Japan, Korea and the USA, as well as the CEC and
UNESCO, and convenes the annual international Consciousness Reframed
conferences. His publications are translated into many languages
and include the books: Engineering Nature. Bristol: Intellect
Books, 2005. Telematic Embrace: Visionary Theories of Art
Technology and Consciousness, (ed. Edward A Shanken), Berkeley:
University of California Press, 2003 Technoetic Arts. (Korean
trans. & ed. Won-Kon Yi). Yonsei: Yonsei University Press,
2002 Art Technology Consciousness. Bristol: Intellect Books,
2000. Reframing Consciousness. Exeter: Intellect Books,
1999. Art & Telematics: toward the Construction of New
Aesthetics. (Japanese trans. & ed. E. Fujihara). Tokyo: NTT
Publishing. 1998. He has published over 150 conference papers,
journal articles, and other texts.
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