Yolande Harris is an artist and scholar engaged with sound, its image and its role in relating humans and their technologies to the environment. Her artistic research projects consider techniques of navigation, sonification of data, sound worlds outside the human hearing range, and underwater bioacoustics. They take the form of audio-visual installations and performances, instruments, walks, performative lectures and writings. She weaves together her artwork with her theories of techno-intuition and sonic consciousness, in which expanded forms of awareness emerge through technological media and critical listening techniques. Her work is presented internationally in the context of visual art exhibitions, music venues and media art festivals and conferences.