An Art|Sci Center alumni—will be joining us at the end of the quarter as the Bermant Foundation Resident. Anne is a media artist and designer working in the fields of wearable technology, interactive installation and audio-visual design. She is particularly fascinated by the convergence of art, science, design and technology, and she pursues collaborative and cross disciplinary projects.
dward A. Shanken writes and teaches about the entwinement of art, science, and technology with a focus on interdisciplinary practices involving new media. He is Director of the Digital Arts and New Media (DANM) MFA program at UC Santa Cruz and Associate Professor in the Arts Division. Prior academic posts include Digital + Media MFA program at Rhode Island School of Design, DXARTS Ph.D. program at University of Washington, New Media International MA at University of Amsterdam. Fellowships include National Endowment for the Arts, American Council of Learned Societies, UCLA, University of Bremen, University of Memphis, and Washington University in St. Louis. Dr. Shanken earned a Ph.D. and MA in Art History at Duke University, an MBA at Yale University, and a BA at Haverford College.
Klaus Spiess is an endocrinologist, psychosomaticist and medical anthropologist who now works as an associate professor in the field of art and science at the Medical University of Vienna. His performances and installations (all together with Lucie Strecker) address biopolitical issues in medicine and have been shown at numerous performance and exhibition spaces (Budascoop Kortrijk, Tanzquartier and Belvedere/21er Haus Vienna, Haus der Kulturen der Welt, Berlin, the BEALL Center for Art + Technology, Irvine, the Onassis Cultural Center Athens, the Bemis Center of Contemporary Arts Omaha and the OK Center, Linz, where he was awarded an Honorary Mention at the Prix Ars Electronica. He has published numerous articles on his transdisciplinary work (Performance Research, Kunstforum International, Springerin, The Lancet and Leonardo, among others).
Incoming Art|Sci artist in residence, she has been developing trans-disciplinary performances and installations that address biopolitical issues for five years. An artist and stage director, she holds a senior postdoc position at the University of Applied Arts Vienna. She has performed at Budascoop Kortrik, Tanzquartier & Belvedere/21 Haus Kortrijk, Tanzquartier and Belvedere/21er Haus, Vienna and her installations have been shown at the Haus der Kulturen der Welt in Berlin, the BEALL Center for Art + Technology in Irvine, and the OK Center in Linz, where she was awarded an Honorary Mention (2015) at the Prix Ars Electronica. She has published articles on her trans-disciplinary performances in Performance Research, Kunstforum International, Springerin, and The Lancet, among others.
Editor-in-chief at CGmag. After studying at the Universities of Applied Sciences in St. Pölten and Hagenberg, Martina started working for the Industrial Motion Art visual effects and digital art studio in Linz and later Vienna. Currently, she is working on her doctoral thesis at the University of Applied Arts Vienna. Under Professor Alfred Vendl she is creating marine biology animations for the new collaboration with Victoria Vesna and the ArtSci team -- the Noise Aquarium.
Dr Miu Ling Lam is a media artist and researcher of robotics, interactive media and bioinformatics. Her most recent research focuses on 3D immaterial displays, visual-odometry-based robotic cinematography, and computational models for single molecule DNA profiling. Her work has been published in scientific journals and book chapters, such as Journal of The Royal Society Interface, Sensors and Actuators, IEEE Transactions on Robotics, and Journal of Laboratory Automation, as well as leading robotics and computer graphics conferences. Her earlier research includes multi-fingered robotic grasp, geometric algorithms for wireless sensor network deployment, and obstacle avoidance for redundant manipulators using neural network. In er postdoctoral fellowship she specialized in nanotechnology and art-science. She joined the School of Creative Media at Hong Kong CityU after her residency.
is a digital media artist, designer and assistant professor coordinating the Multimedia Art degree at the University of Lisbon. She is also a researcher at M-ITI - Madeira Interactive Technologies Institute, collaborator at CIEBA – Centro de Investigação e de Estudos em Belas-Artes, and founding member of AZ Labs hackerspace altLab. Interested in designing for a more sustainable world, Mónica is exploring real-time interactive systems at the intersection of Art, Science and Technology.
Her work examines the wars in which culture and institutional structures shape our knowledge and understanding of history, science, and the natural world. Appropriating medical imaging technologies and methods of collecting, documenting, and exhibiting scientific artifacts. Her work addresses how interpretation fluctuates between fact and speculation. Her installations, sculptures, photography and performances operate at the intersections between sensing and knowing, and order and affect. http://www.patriciaolynyk.com/