Founder + Director
Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at IMéRA – Institut Méditerranéen de Recherches Avancées in Marseille (2011-2013). Her work can be defined as experimental creative research that resides between disciplines and technologies. With her installations she explores how communication technologies affect collective behavior and how perceptions of identity shift in relation to scientific innovation.
Victoria has exhibited her work in over twenty solo exhibitions, more than seventy group shows, has been published in excess of twenty papers and gave 100+ invited talks in the last decade. She is the North American editor of AI & Society and in 2007 published an edited volume - Database Aesthetics: Art in the age of Information Overflow, Minnesota Press and most recently an edited volume entitled Context Providers: Conditions of Meaning in Media Arts. (co-edited with Christiane Paul and Margot Lovejoy). Intellect Press, 2011.
James K. Gimzewski
Jim Gimzewski is a Distinguished Professor of Chemistry at the University of California, Los Angeles; Director of the Nano & Pico Characterization Core Facility of the California NanoSystems Institute; Scientific Director of the Art|Sci Center and Principal Investigator and Satellites Co-Director of the WPI Center for Materials NanoArchitectonics (MANA) in Japan. Prior to joining the UCLA faculty, he was a group leader at IBM Zurich Research Laboratory, where he research in nanoscale science and technology for more than 18 years.
Dr. Gimzewski pioneered research on mechanical and electrical contacts with single atoms and molecules using scanning tunneling microscopy (STM) and was one of the first persons to image molecules with STM. His accomplishments include the first STM-based fabrication of molecular suprastructures at room temperature using mechanical forces to push molecules across surfaces, the discovery of single molecule rotors and the development of new micromechanical sensors based on nanotechnology, which explore ultimate limits of sensitivity and measurement. This approach was recently used to convert biochemical recognition into Nanomechanics.
His current interests are in the nanomechanics of cells and bacteria where he collaborates with the UCLA Medical and Dental Schools. He is involved in projects that range from the operation of X-rays, ions and nuclear fusion using pyroelectric crystals, direct deposition of carbon nanotubes and single molecule DNA profiling. Dr. Gimzewski is also involved in numerous art-science collaborative projects that have been exhibited in museums throughout the world.
NanoLab Director Emeritus
Adam Stieg serves as Director for the Sci|Art NanoLab Summer Institute. As a scientist and educator at the California NanoSystems Institute (CNSI), his work focuses on developing integrated approaches to study material systems at the interface of traditional boundaries. Through the implementation of original experimental techniques, this research seeks to bridge the gap between our current understanding of nanomaterials and their fundamental properties with how these systems tend toward complexity at increased scales of space and time.
Dr. Stieg's research activities are augmented by active collaboration with artists and designers on various projects, installations, and public exhibitions that directly inform the scientific process and provide motivation to develop new educational content that conveys the need for creativity in innovation.
A Brazilian-American interdisciplinary artist, designer, educator and researcher, Claudia Jacques de Moraes Cardoso holds an MFA in Computer Art (School of Visual Arts, NY) and is currently a PhD candidate at the Planetary Collegium, University of Plymouth, UK. Under Professors Roy Ascott and Søren Brier, she is researching space-time aesthetics in the user-information-interface relationship through the lens of Cybersemiotics. Intersecting art, technology and science, she designs interactive hybrid art and information environments that aim to explore perceptions of space-time and the digital-physical in the pursuit of human consciousness and expansion of human knowledge. She collaborates with many artists exhibiting and presenting both nationally and internationally. She has published in Leonardo, TEKs, Art & Engine, etc., and serves as Art+Web Editor for Cybernetics and Human Knowing journal. Jacques is also a participant with three other scholars in a 2014-17 NEH Collaborative Research Project based at Roosevelt University in Chicago. She has been collaborating with UCLA’s ArtSci Center since 2011 as an Information and Instructional Design Consultant and is currently the ArtSci Nanolab Associate Director. Jacques teaches studio, digital and communication arts, and her studio is in Ossining, NY.